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Written by Beverly Mantyh
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(This book is the final volume of Sigrid Undset's trilogy Kristin Lavransdotter. We recommend the Penguin Classics translation from the original Norwegian by Tiina Nunnally. NY: Penguin Classics, 2000. 464 pp. $15.95)
Undset’s The Cross begins with Kristin longing for a time apart in the coolness of the mountains. Husaby has been taken away because of Erlend’s treason. Jorungaard, where Kristin was raised, is now their home. Her marriage to Erlend has been wounded by the fires of unforgiveness, adultery, imprisonment and humiliation. Kristin copes with her troubles by pouring herself into the daily round of household concerns on the manor with seven sons. Despite keeping herself busy, Kristen struggles internally with the burden of guilt toward her father’s memory, resentment towards her displaced knightly husband, anxiety for her rapidly maturing wild band of boys, mixed feelings toward her in-laws, and impatience with gossiping neighbors. She does escape to the quiet uplands for a time. Kristin’s time away from the burning flare-ups of family discord sets a reflective tone for the conclusion of Undset’s powerful trilogy. |
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Written by Kristen West McGuire
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 (Meredith Gould has a Ph.D. in sociology and is an award winning writer, a regular columnist for Faith & Family, and the author of many books. Her newest book, Why is There a Menorah on the Altar? will be published this fall. This interview was originally published in the December 2006 issue of Secretum Meum Mihi.) Q. Tell me about your early faith experiences. A. Both my parents were Brooklyn Jews at a time when ethnic-religious boundaries were fairly blurred. Italian and Irish Catholic neighborhoods were in close proximity to Jewish neighborhoods. My mother tells stories about going to Catholic church when public schools were closed for Jewish holidays. She once attended ‘confession,’ although the details are somewhat murky. My father considered himself a Jewish atheist even though his grandfather was a rabbi and one of his four brothers remained an Orthodox Jew. |
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Written by Sandra Miesel
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 Eager to make the gospel story of the nativity vivid, St. Francis built an outdoor tableau at Greccio in 1223. He filled a real manger with straw, and installed a life-sized figure of the Christ-child, flanking the crib with living animals and people. During the Mass that followed, legend says that the Infant came to life in his arms.
St. Francis' example and his emotive spirituality stimulated people's desire to picture, touch and re-enact the mysteries of salvation. Howeve r, he might be shocked at the enormous industry surrounding creche sets today. |
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